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NAINITAL

### **Discovering Nainital: A Gem of the Himalayas**

Nestled amidst the serene beauty of the Kumaon hills in Uttarakhand, India, lies the enchanting hill station of Nainital. Blessed with a pristine lake and surrounded by lush greenery and majestic mountains, Nainital is a captivating destination that offers a perfect blend of natural splendor, tranquility, and vibrant culture.

#### **The Jewel of Lakes**

At the heart of Nainital lies the picturesque Naini Lake, from which the town derives its name. The shimmering emerald waters of this pear-shaped lake reflect the surrounding hills, creating a breathtaking panorama. Boating on the tranquil waters or strolling along the lakeside promenade, known as the Mall Road, offers visitors a serene and rejuvenating experience.

#### **Panoramic Vistas and Peaks**

Surrounded by peaks like Naina, Deopatha, and Ayarpatha, Nainital provides panoramic views of the snow-capped Himalayas. The viewpoints of Snow View, Tiffin Top, and China Peak offer awe-inspiring vistas of the surrounding mountains and the town below. These vantage points are perfect spots to witness mesmerizing sunsets or simply soak in the grandeur of nature.

#### **Colonial Heritage and Architecture**

Nainital boasts a rich colonial history evident in its architecture and heritage. The town exudes a quaint charm with its colonial-style buildings, including the Gothic-inspired St. John’s Church and the Victorian-era Raj Bhawan, formerly known as the Governor's House. Exploring these architectural marvels offers a glimpse into Nainital’s past.

#### **Adventure and Exploration**

For adventure enthusiasts, Nainital offers a plethora of activities. Trekking trails like the Naina Peak trek or the trek to the famous Dorothy’s Seat, locally known as Tiffin Top, provide opportunities to delve into the wilderness and enjoy breathtaking vistas. Adventure seekers can also indulge in paragliding, horse riding, or camping amidst the scenic landscapes.

Beyond its natural beauty, Nainital is a melting pot of diverse cultures. The town hosts vibrant fairs and festivals, such as the Nanda Devi Festival and the Uttaryani Fair, showcasing the colorful traditions and rituals of the Kumaoni people. Visitors can savor local Kumaoni cuisine, which includes dishes like Ras (a preparation of various lentils) and Bhatt ki Churkani (a black bean delicacy)

Nainital, with its tranquil lakes, panoramic vistas, rich history, and cultural vibrancy, casts a spell on every traveler. Whether seeking a peaceful retreat amidst nature’s bounty, embarking on adventures, or immersing oneself in the town’s heritage, Nainital offers an experience that lingers in the heart, beckoning travelers to return to its serene embrace time and again.

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K. G. F movie

KGF: Chapter 1 is a 2018

 Indian Kannada action film produced by Vijay Kiragandur under the banner of Hombale Films, written and directed by Prashant Neel. This is the first in a two-part series following K.G.

F: Chapter 2. Yash, Ramachandra Raju, Srinidhi Shetty, Vasistha N. Simha, Achyut Kumar, Anant Nag, Archana Jois, T. S. Nagabharana, B.
Suresha and Malavika Avinash. Filmed on a budget of ₹800 million (equivalent to ₹910 million or US$11 million in 2020), it was the most expensive Kannada film at the time of its release.[2] The film focuses on Rocky, a high-ranking mercenary, working for a leading gold mafia in Mumbai, who was born in poverty. Due to his high fame, he had being offered to give the total control of Mumbai by the leaders of the gold mafia he works - Rocky's employer Shetty's boss Andrews, prominent don Rajendra Desai, Desai's adopted son Kamal and discreet politician Guru Pandian. After this offer, he disguises himself as a slave-laborer and go to Narachi limestone mine (Kolar Gold Fields), aiming to assassinate Garuda, the future heir of Kolar Gold Fields, as per the order of the mafia leaders.

Prashanth Neel
감독
대화 : -
Prashanth Neel
M. Chandramouli
Vinay Shivangi
Screenplay by





444

Vasistha N. Simha
Archana Jois
Anant Nag
Achyut Kumar
Malavika Avinash
T. S. Nagabharana
B .
Suresh
Cinematography
Bhuwan Gowda
Editing:
Shrikant Gowda
Music:
Ravi Basrur
Production
Company
Hombale Films
Distribution:
KRG Studios (Kannada)
Excel Film Entertainment and AA Vahimilsara Films4 (Hindi) 4 (Telu4) 4 (
) Global United Media (Malayalam)
Release Date
December 20, 2018 (US & Canada)
December 21, 2018 (India)
Running Time
155 minutes[1]
Country
India
Language
Kannada 4,444 budget 4,444 £80 crore [2] 4,444 box office receipts 4,444 (estimated) ₹250 crore[3][4] 4,444 Development of the film began in early 2015 after Neil finished writing the script.[6] Filming began two years later, in January 2017. Much of the film is set in the gold mines of Kolar and was shot in locations such as Kolar, Mysore and parts of North Karnataka. The film was completed in August 2018.
Bhuvan Gowda handled the cinematography and Srikanth Gowda edited the film. Composer Ravi Basrur scored the film. The Kannada version of

KGF:

 Chapter 1 was released on 20 December 2018, while the Telugu, Tamil, Malayalam and Hindi dubbed versions were released the following day.
The film received positive reviews from critics and the lines of the film became known all over the world. This made the film do well commercially, earning ₹2.5 billion (equivalent to ₹2.8 billion or US$36 million in 2020) on its entire run, making it Kannada's highest-grossing film and a cult hit. 10] At the 66th National Film Festival, it won the stunt choreography award and the best special effects award.
[11] At the 66th Filmfare Awards South, the film won two awards out of five nominations, including Best Film and Best Actor for Yash.

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Music By: Devi Sri Prasad

Average: 2.75 / 5

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Icon Star Allu Arjun's Pushpa: The Rise is one of the most anticipated releases in Indian cinema this year. Amidst the great hype, this movie by director Sukumar is already on screen today. Here is its review:

Story:

Pushpa Raj (Allu Arjun) is a red sandalwood smuggler smuggled into the hills of Seshachalam. He wants to be the head of every human trafficking unit. But that is no easy task. He has to deal with a lot of obstacles like other traffickers and the police. In this case, he also likes Srivalli. How did Pushpa defeat her opponents? What are the roles of Mangalam Srinu (Sunil) and Balwant Singh (Fahadh Faasil) on this journey? To understand all of these features, you need to watch a movie.

Tasks:

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Allu Arjun is the heart and soul of the film. She sat on Pushpa Raj's skin. No matter how the film plays in the box office, Pushpa will always be one of her best works about acting. Rashmika had very little scope in the movie and did well on her limited character. He looked right in his contemptuous look. Much was expected of the character of Fahadh Faasil but he had little to do in the first part. The roles of Sunil and Anasuya did not go well and they failed to bring the chaos well. Rest some were fine.

Departments of Technology:

Director Sukumar made a mistake in writing the film in two parts. It can be finished in one piece. As a result of this decision, Pushpa: The Rise is slow in its performance and annoys audiences in many parts. Cinematography and production rates are very good. They bring a rich look to the film. The songs composed by Devi Sri Prasad are beautiful. But he failed in the back points department. VFX editing and performance is very pale and spoilsport playback.

Like his previous film Rangasthalam, Sukumar planned to make Pushpa in a green and green way. But Rangasthalam had a major emotional crisis in the movie. Pushpa was needy. In addition, the decision to make the two parts also damaged the story of the film. The story is very simple and slow. The first episode is catchy but the second episode moves smoothly and is very tiring. To prevent Allu Arjun's special performance, there is nothing else to be aware of in Pushpa. You can only watch it and only by the action of Allu Arjun.

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Sooryavanshi film Release Live Review: Akshay Kumar's film 'Diwali gift in the film industry'

Akoray Kumar's film Sooryavanshi is released today Live Updates: Starring Akshay and Katrina Kaif, Rohit Shetty's catalog will be released after Diwali. The film features the cameos of Ranveer Singh and Ajay Devgn.

Akshay Kumar-Katrina Kaif-starrer Sooryavanshi was released from theaters on Friday. The Rohit Shetty program, scheduled for release in March 2020, was delayed for more than 19 months due to the Covid-19 epidemic. The film introduces the third character of the entire Shetty police force. Earlier, Ajay Devgn’s Singham and Ranveer Singh’s Simba were established as pillars in this space. Ajay and Ranveer have cameos from Sooryavanshi.

According to the film trailer, the film follows Akshay Kumar police officer Sooryavanshi as he tries to prevent a terrorist group from attacking Mumbai. The trailer has one of the characters who said that during the 1993 bombing, one ton of RDX was brought to Mumbai but only 400 kilograms were used and the remaining 600 kilograms were still buried in the city. The film follows the trail of that hidden RDX.

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Actors supporting the film include Jaaved Jaaferi, Gulshan Grover, Abhimanyu Singh, Jackie Shroff, Sikander Kher, Niketan Dheer, Rajendra Gupta, Kumud Mishra and others.

The producers have released a few songs from the film album and so far, they have received a good response from the audience. Songs such as ‘Aila Re Aillaa’, ‘Mere Yaaraa’ and ‘Najaa’ have been released.

pain here, where we made many films together. "It feels great when I get a chance to wear a police uniform. We are all lucky to have opportunities where we play big roles," he said.

Co-ordinator Karan Johar said during the launch, “There is a lot of excitement in the room. I do not think that in my years of production and filmmaking I have seen a lot of trailer release power and it should be, because this is a place where every Hindi cinema has never been seen before. It is the first time that an Indian film has had such an environment where you have collaborated with three major movie stars. ”

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'Shershaah' Movie Review: Encouraging, But Never Finding Its Way!

If only, in this 135-minute war proverb we would not know much about his boldness and commitment to the world we would never really know. After all, "Yeh Dil Maange More!"

Actors: Sidharth Malhotra, Kiara Advani, Sahid Vaid, Abhiroy Singh, Shiv Pandit

Director: Vishnuvaradhan

Average: ** 1/2

Making a film based on a real-life hero, that too, in a genre that might be popular with everyone, is easy. With all the little information we get, the work of a script writer becomes very difficult. There’s everything available to any filmmaker who can dip his teeth into it, and not worry about its ending. But it is also very complicated to fall into the deceptive realm between truth and myth. Especially because as a biopic it has to have a set of rules: to give viewers a lot that is not in the public domain. After all, "Yeh Dil Maange More!"

A biopic of Dharma Productions 'Shershaah' based on the martyr Kargil Captain Vikram Batra, who was drafted into the Indian Army at the 13th Battalion Jammu & Kashmir Rifles in 1997, and later promoted to captain on the battlefield itself, after the lead. one of the most difficult activities in the mountain war in Indian history. Her story was waiting to be told about celluloid, and it should be.

Often referred to as ‘SherShah’ in the captured messages of the Pakistani Army, he laid down his life during the 1999 Kargil War, and was awarded the Param Vir Chakra, India’s highest and most prestigious prize of heroism.

Vikram Batra (Sidharth Malhotra, who also played his twin Vishal) from his childhood, wanted to join the army. As he grows up he is ready to fulfill his dream when he joins the beautiful college Dimple Cheema (Kiara Advani) and wears enduring love for him. Their love blossoms fast and like in any Bollywood film, there is a bitter opposition from the girl's father who would like her to stay with a man from their Sikh community only.

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Later in the story, after Captain Vikram Batra was assigned to the army, the next thing most of us are familiar with is this: a sudden cross-border attack that took the Indian army by surprise, and the death of a small group of soldiers.

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Everything happens in quick succession leaving viewers with no time to meditate, or to let some action take over. How a typical 25-year-old man can be an exemplary courage in very difficult situations should be a matter of extraordinary courage, confidence, love and great physical strength. He was so committed to his goal that when he decided to do something, he stuck to it. But we do not know much about the man who made such decisions. Hindi films, in particular, revolve around certain rules, and depending on how you look at them, these rules can be a beneficial guide, or a deterrent barrier. The more writers adhere to the rules, the more well-known they are. If they separate, it is very dangerous to separate themselves from the type of film divided under it.

Like a movie, ‘Shershaah’ never finds its way. Not that it is unpleasant, or absurd, or really wrong. In fact, it is a film in which Sidharth Malhotra gets a rare opportunity to watch and imitate the character he plays. A wonderful story that freely combines work, patriotism and determination that is the rich food of any film.

Despite having a lot of stuff, director Vishnu Vardhan and author Sandeep Srivastava do not take the opportunity to create an innovative saga that does not innovate in an amazing way. It seems that the only thing they had in mind was to introduce Malhotra as a reliable actor who could carry the film on his strong shoulders alone.

Other scenes such as the girl’s parents ’opposition to her marriage to Captain Batra seem compulsory and unnecessary, it may be, to part with the war scenes that became numerous later, or to add other pieces just to justify the inclusion of a female leader in the film. But since we are unfamiliar with his immediate personal background, we should not hold on to it, and let it go. There are also other common suspects who appear and disappear: a great friend of our hero, the hero's concern for members of his team and he is always considerate even during surgery on the field, an adult gets insecure about our hero's heroism etc. I am not. to suggest even once that Captain Vikram Batra was not a good man. If only, in this 135-minute war proverb we would not know much about his boldness and commitment to the world we would never really know.

There is a good sequence of action one cannot miss to compliment. The action-packed scenes of Stefan Richter and Sunil Rodrigues, as well as the filming of Kamaljeet Negi are enlightening even when you think about the unnecessary information about leading couples adding tedium.

The ‘Shershaah’ begins with a brief look at the life of Captain Batra, but soon directs himself to the battlefield where the action and other essentials are. The war cry of the marty Captain 'Yeh Dil Maange More' when he reported the 5140 point capture. Shortly thereafter, he volunteered to be part of the next campaign, to replace 4875. Looking at the life of such a brave army officer. however, it is encouraging, and the film is glorified by that date.

But for viewers who wanted to peel off the layers to peek inside Captain Batra were left "asking for more!"

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How is drishyam  2 | How to watch drishyam 2 | How to see drishyam 2 |  Who dubbed meena in drishyam 2 movie  | Where to download drishyam 2 movie

Mohanlal’s Drishyam 2 emerged as a digital blockbuster earlier this year due to its honest play and visual peak. However, it was not a flawless film by any means as the amazing opening hour was aimed at ‘Lalettan’ fans only. Drushyam 2, its Telugu redesign, is a revised original version that proves to be Venkatesh's showreel.

The film is about a situation where the character and his family, who still have to deal with the events of the past six years, have to deal with the spirits of the past. The story remains true to the one seen in Drishyam 2 but makes a better impact due to the high performance and fast speed.

A film with family traits can only work if one is able to relate to the bonds between the characters. This is where Drushyam 2 hits the right notes. The chemical between Venkatesh and his family sounds organic. This is evident in the scene where a police visit interrupts a lively discussion between the main characters.

 Meena '' and 'sister' scenes are some of the highlights of the film as they highlight the feeling of Jyoti's mother. The big twist sounds more convincing in Drushyam 2 than what happened in Drishyam 2.

That being said, Drushyam 2 has a few flaws. As with all versions, It will not be popular with fans of the original version as they are accustomed to twisting and turning. In addition, a simple sequence involving the transition between Rambabu 'friend' in the drink falls to the ground. These, however, are not major issues in the larger system of things.

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Coming to action, Venkatesh is the backbone of the film. He is considered to be the favorite of the family with movies like Anari, Seethamma Vakitlo Sirimalle Chettu and even the latest Narappa. The Rambabu character goes well with this image. His clear eyes speak in a few scenes, especially in the second half, which is a hallmark of a high-profile actor. He is well supported by Meena, who lives by the standards he set for himself in Drishyam 2. Nadhiya and Naresh came together like foils to each other, something that never really happened in the first version. Some actors achieve their goal.

There is not much space for songs and composers avoid having to focus on narratives with unnecessary numbers as it keeps the film real. Technical aspects, such as sound editing and design, are handled with care.

मोहनलाल की दृश्यम 2 इस साल की शुरुआत में अपने ईमानदार खेल और दृश्य शिखर के कारण एक डिजिटल ब्लॉकबस्टर के रूप में उभरी। हालांकि, यह किसी भी तरह से एक निर्दोष फिल्म नहीं थी क्योंकि अद्भुत शुरुआत का लक्ष्य केवल 'ललेटन' के प्रशंसकों के लिए था। द्रुष्यम 2, इसका तेलुगु नया स्वरूप, एक संशोधित मूल संस्करण है जो वेंकटेश की शोरील साबित होता है।

फिल्म एक ऐसी स्थिति के बारे में है जहां चरित्र और उसके परिवार को, जिन्हें अभी भी पिछले छह वर्षों की घटनाओं से निपटना है, अतीत की आत्माओं से निपटना है। दृश्यम 2 में देखी गई कहानी के लिए कहानी सच है लेकिन उच्च प्रदर्शन और तेज गति के कारण बेहतर प्रभाव डालती है।

पारिवारिक लक्षणों वाली एक फिल्म तभी काम कर सकती है जब कोई पात्रों के बीच के बंधन से संबंधित हो। यहीं पर दृश्यम 2 सही नोटों को हिट करता है। वेंकटेश और उनके परिवार के बीच का रसायन जैविक लगता है। यह उस दृश्य से स्पष्ट होता है जहां पुलिस का दौरा मुख्य पात्रों के बीच एक जीवंत चर्चा को बाधित करता है।

 मीना '' और 'बहन' के दृश्य फिल्म के कुछ मुख्य आकर्षण हैं क्योंकि वे ज्योति की माँ की भावना को उजागर करते हैं। दृश्यम 2 में जो हुआ उससे बड़ा ट्विस्ट दृश्यम 2 में अधिक आश्वस्त करने वाला लगता है।

कहा जा रहा है कि, दृश्यम 2 में कुछ खामियां हैं। सभी संस्करणों की तरह, यह मूल संस्करण के प्रशंसकों के साथ लोकप्रिय नहीं होगा क्योंकि वे घुमा और मोड़ने के आदी हैं। इसके अलावा, पेय में रामबाबू 'दोस्त' के बीच संक्रमण से जुड़ा एक सरल क्रम जमीन पर गिर जाता है। हालाँकि, ये बड़ी व्यवस्था में प्रमुख मुद्दे नहीं हैं।

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एक्शन की बात करें तो वेंकटेश फिल्म की रीढ़ हैं। उन्हें अनाड़ी, सीथम्मा वाकिटलो सिरिमल्ले चेट्टू और यहां तक ​​कि नवीनतम नारप्पा जैसी फिल्मों के साथ परिवार का पसंदीदा माना जाता है। इस छवि के साथ रामबाबू का चरित्र अच्छी तरह से चला जाता है। कुछ दृश्यों में उनकी साफ आंखें बोलती हैं, खासकर सेकेंड हाफ में, जो एक हाई-प्रोफाइल अभिनेता की पहचान है। उन्हें मीना द्वारा अच्छी तरह से समर्थन दिया जाता है, जो दृश्यम 2 में अपने लिए निर्धारित मानकों के अनुसार जीते हैं। नदिया और नरेश एक दूसरे के लिए पन्नी की तरह एक साथ आए, कुछ ऐसा जो वास्तव में पहले संस्करण में कभी नहीं हुआ था। कुछ अभिनेता अपने लक्ष्य को प्राप्त करते हैं।

गानों के लिए ज्यादा जगह नहीं है और संगीतकार अनावश्यक संख्याओं के साथ कथाओं पर ध्यान केंद्रित करने से बचते हैं क्योंकि यह फिल्म को वास्तविक रखता है। ध्वनि संपादन और डिजाइन जैसे तकनीकी पहलुओं को सावधानी से संभाला जाता है।

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Dramatic Film Review: A Remote Action With Explosives

Director: Ram Madhvani. Actors: Kartik Aaryan, Mrunun Thakur, Amruta Subhash, Soham Majumdar, Vikas Kumar and Vishwajeet Pradhan.

Director Ram Madhavani's drama is based on the South Korean film 'The Terror Live' released in 2013.

The story begins with an episode of a happy couple, Arjun Pathak (Kartik Aaryan) and his wife Saumya Mehra Pathak (Mrunal Thakur), and little by little, the camera slips into the dark of the TRTV News broadcast room, where we see it. angry Arjun, like an unhappy broadcaster.

A lost call from one of his listeners, who agrees to blow up the bridge after an unsuccessful conversation with him, scolds Arjun for returning to the truth. Eager for prominence, he also negotiates his position to secure the first Bharosa 24 × 7 television spot as he tries to dominate the live broadcast of the terrorist attacks. How Arjun engages with an unsatisfied caller, his changing tone from flesh to cruelty in the show while intimidating the city in the hope that he will apologize to the minister, creates the essence of the story.

.As the drama of the drama unfolds in real time, there is a sense of deep feeling, but its performance, full of a lot of cinematic freedom, makes all exercise seem far-fetched and unrealistic.

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Also, with its minimalist cinematic atmosphere, all the climbs are seen cardboard-thin and designed on stage. This statement raises more questions than it answers as it tries to make us believe that an unhappy citizen can try to apologize a little.

When the plot reaches the third action, and the tension grows, the thrill of the film disappears. You realize that the film, which was originally a moral drama, has now changed its course of action, preaching, "You will not have a second chance at life, live for now."

The only thing that stands out in this film is the frustration and frustration of the journalist, and it portrays a short story business. This revelation opens the eyes of all those who eat the news of hunger.

This film is a direct Kartik Aaryan film. He’s very convincing, with his smug veneer able to portray a man who loses morings, but he should at least pretend to fight well. However, he is unable to communicate emotionally.

Mrunun Thakur as Saumya is limited to playing the News Reporter in the blast zone. Amruta Subhash is as amazing as Arjun's cruel boss Ankita Malaskar. Some supporting characters simply do not add to the viewing experience.

All in all, the effects of the Dhamma are far from ideal.